a black wood sculptural bowl filled with moss and flowers on a table .

Vessel

Holding balance.

As a meditative practice, I’ve found great joy in the Japanese art of Ikebana. I make it a point to visit the nearby flower market in downtown LA, where the flowers undergo a beautiful transformation throughout the seasons. This experience has helped me develop a deeper appreciation for beauty, recognizing its fleeting nature.

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Vessel is approached in a similar manner to how I approach a floral arrangement. I allow the initial movements to guide me and reveal their purpose. These sculptural forms not only hold the kenzan but also serve as a reservoir for the water.

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As I embark on these Vessels, I harbor no preconceived notions about their eventual form. I sculpt like an abstract dancer, surprised by the gradual emergence of their shape. My mind wanders, ideas flit in and out, contributing subtly and then departing. Each Vessel will remain unique, for no two influences will be the same during my carving process. I relish the abstraction, just as no two flowers or flower arrangements are alike.

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As these vessels are used for Ikebana, they hold a moment of significance. Beyond facilitating the artist’s creative process, they humbly reflect the role of an elder. These vessels originate from ancient trees and now serve as receptacles for young flowers destined for display. This phenomenon carries immense weight, and I am still grappling with its full meaning. However, it inspires me to contemplate ways in which I can serve my son as I age.

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